My ceramic sculptures are inspired by our human experience, and how we connect with each other and the world around us through rituals and ceremonies. I first became interested in our use of rituals during a trip to the Wailing Wall in Jerusalem in 1985. I was fascinated to watch as people prayed and left messages as a way to feel a sense of connection to each other, their spiritual selves and a higher power. Religions and cultures across the world have used the elements of the natural world in ceremonies and rituals for millennia and it is this connection that continues to inspire my work all these years later.

My poetic sculptures are rich in contrasting textures. Rough and cracked surfaces are united with delicate sheets of ruffled porcelain. Precious metallic elements further accentuate the organic textures.  I love the glint of something precious in amongst earthy textures which perhaps comes from digging for ‘treasure’ in my back garden as a child and unearthing many victorian bottles, jars & pipes. 

I enjoy using a variety of techniques and clays in combination. Throwing, hand building and carving are used to achieved different textures, surfaces and forms. I use layers of slips and glazes that are fired many times to achieve the required result. I work in porcelain and earthenware clays with a variety of processes, each with it’s own rhythm and nuance which I unite into the final piece. 

My sculptures offer a focal point for connecting with memories, personal stories and emotions, establishing private moments of contemplation.